Trois titres de la Presse Trilingue:
Poets Against the Killing Fields; Love and Other Poems by Haitian Youths; et Madichon Sanba: Dlo nan Sensè a

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Poets Against the Killing Fields is a declaration of dissent daring to defy and dounce damning despotic dogma. Poets Against the Killing Fields, as voice of different drummers’ dept of determination, delivers directions for a true democracy.
—Melvin H. King, Professor Emeritus
Massachusetts Institute of Technology

The power of poetry—to meld passion, images, music and ideas—is obvious in this collection, which will engage a reader with the issues in ways that no prose can. The variety of voices and forms is exciting.
—Eva Kerr, Literacy & Language Tutor,
South End Technology Center, Boston

The Liberation Poetry Collective, with this impressive volume in hand, gives witness to the next stage in the constantly evolving search for traditional values of merit, a contextual, yet humanizing aesthetic and reverential but flexible canon.
—Calvin Hicks, Professor
New England Conservatory of Music

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As Haiti commemorates the bicentennial of its independence from colonial bondage—an independence gained through valorous struggles and sacrifices on the part of former slaves—as the country is still mired in a self-destructive, perennial power struggle within the petit-bourgeois and dominant classes that have been controlling the nation’s destiny since independence; and as the whole world is engulfed in wars of domination and alienation, it is refreshing to hear these new voices of poets who reclaim what is of utmost importance in life: the right to dream. Poetry is the ultimate force that sustains hope when everything else is in peril.”

—Tontongi, poet, editor of the trilingual journal Tanbou.

Koleksyon sila yo reprezante pwezi nan moman jèminasyon li, lè pasyon jenès jwenn avèk chache-fouye ekzistansyèl pou fòme siyifikasyon. Vennkat powèt kontribye nan koleksyon an e preske chak grenn nan yo eksprime lanmou tankou youn nan tout bagay ou dwe viv nan lavi ki gen malè ak bonè. Nan momen Ayiti ap komemore de san zan endepandans kont kòd mare—yon endepandans esklav yo te pran nan yon lit chaje ak laglwa e sakrifis—nan moman peyi a toujou makonnen nan lit destriktif pou pouvwa nan sen klas ti-boujwa ansanm ak klas dominan yo k ap goumen pou kontròl destine peyi a; nan moman mond lan ap pyetine nan lanfè lagè pou dominasyon ak alyenasyon, sa fè nou plezi wè vwa jèn jan ak jèn fi sila yo ki vle reklame sa ki pi enpòtan nan lavi yon moun: dwa pou li reve. Pwezi se dènye ranfò ki kenbe lespwa lè tout lòt bagay ap maspinen nan danje».

—Tontongi, powèt e editè jounal trileng Tanbou

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Li fini klas prime li Jean-Marie Guilloux nan Potoprens. 1960: li antre Salésiens. Li sòti mekanisyen ajistè.

Li antre nan peyi Etazini nan lanne 1960. 1971: li antre nan pwogram lèswa City College. Lanne 1977 jwenn li ak yon diplòm Sociology. Lanne 1980 jwenn li ak yon diplom met lekòl. Depi lè sa a li pwofesè nan College St Thomas Aquinas, Sparkill, New York. Li deja pibliye nan twa Lang: angle, franse, kreyòl. New Worlds Unlimited pibliye pwemye powèm li nan lanne 1974.

Powèm li parèt nan anpil gran magazin ak jounal: Black American Literature Forum, Présence Africaine, Ayiti Pwogrè, Ayiti Obsèvatè, Haïti en Marche, Amsterdam News. Li ekri liv tou. Pami Ladan yo: Father and Son (Yon papa, yon pitit gason); Running the Road to ABC (Pou nou konesans se yon kalvè); When the Denizen weeps (Lè je danti a pise san); Boula pou yon metamifoz zèklè nan peyi a.